Canberra stalwarts Bridget Croft (vocals) and Jenny Spear (vocals, acoustic guitar), joined by an exceptional lineup: Paul Kindermann on bass, Ged Corben on pedal steel, Ian ‘Jonno’ Johnson on drums, ...

Here You Come Again has moments of charm and beauty, but it’s the band, the design team, and the cast’s sheer effort that ...

Chenoeh Miller is a theatre director, artist producer and sometimes reviewer, based on Ngunnawal Country in Canberra. Venue: ...

Maudlin Mandy is morose. It’s the opening of her karaoke bar, Money Money Karaoke and her 38 th Birthday. Her ...

T ennessee Williams is one of the foremost American playwrights of the 20th century. His first big success was The Glass ...

The Festival of Death and Dying is not just a festival – it is a tender, artist-led act of remembering, and a deeply human invitation to witness ourselves, one another, and the stories that insist on ...

A brilliant performance from start to finish.

Improper property deals and the spectre of paedophilia are at the crux of Get Sando, written and directed by Claire Heywood, a play that pivots on inter-generational war, venal cover up and the dogged ...

At the forty minute mark, Lauren, the youngest character in Circle Mirror Transformation says something akin to “when are we going to start acting?” At the sixty minute mark, the same character asks ...

Above – Michael Whalley and Steve Mouzakis. Jessica Clarke, Eloise Mignon and Steve Mouzakis. Photos – Pia Johnson. The production, directed by Anne-Louise Sarks, is mostly successful at showing us ...

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

In 1987, a trio of wannabe Shakespearian actors, Daniel Singer, Jess Borgeson and Adam Long take their one-hour show, The Complete Works of William Shakespeare (Abridged) to the Edinburgh Fringe ...